Mokhtar
| 导演： | Sadok Ben Aïcha |
| 编剧： | Sadok Ben Aïcha / 费里德·布格迪尔 |
| 主演： | Tarek Ben Miled Anissa Lotfi Najet Mabouj |
| 制片国家/地区： | 突尼斯 |
| 类型： | 剧情 |
| 语言： | 阿拉伯语 |
| 年代： | 1968 |
| 上映： | 1968-09-30 |
| 片长： | 87分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
Mokhtar, a young high school student, manages to publish, by the Union of Women of Tunisia, his first novel in which he talks about the problems of Tunisian youth, the new generation after decolonization and the liberation of women. It is a success and he gives many interviews. But he notes the recovery of his work by the bureaucratic system of the single word and the single th... (展开全部)
Mokhtar, a young high school student, manages to publish, by the Union of Women of Tunisia, his first novel in which he talks about the problems of Tunisian youth, the new generation after decolonization and the liberation of women. It is a success and he gives many interviews. But he notes the recovery of his work by the bureaucratic system of the single word and the single thought in force in the country. He decides to write his second novel, whose hero is a young girl with a broken past. Then Mokhtar disappears in what seems to be a suicide, but the character of his second novel continues to live after him. In this film, which sought an innovative relationship between cinema and reality, all the cultural leaders of Tunisia at the time that Mokhtar encountered played their own role.
Mokhtar, a young high school student, manages to publish, by the Union of Women of Tunisia, his first novel in which he talks about the problems of Tunisian youth, the new generation after decolonization and the liberation of women. It is a success and he gives many interviews. But he notes the recovery of his work by the bureaucratic system of the single word and the single th... (展开全部)
Mokhtar, a young high school student, manages to publish, by the Union of Women of Tunisia, his first novel in which he talks about the problems of Tunisian youth, the new generation after decolonization and the liberation of women. It is a success and he gives many interviews. But he notes the recovery of his work by the bureaucratic system of the single word and the single thought in force in the country. He decides to write his second novel, whose hero is a young girl with a broken past. Then Mokhtar disappears in what seems to be a suicide, but the character of his second novel continues to live after him. In this film, which sought an innovative relationship between cinema and reality, all the cultural leaders of Tunisia at the time that Mokhtar encountered played their own role.
