神之眼
| 导演： | Ivan Skvortsov / 谢尔盖·努尔马梅德 Sergey Nurmamed |
| 编剧： | Leonid Parfenov / Natalia Semenova / Alexey Petukhov |
| 主演： | Leonid Parfenov 奥列格·塔巴科夫 弗拉基米尔·艾图什 伊戈尔·科瓦沙 弗拉迪米尔·波兹内 Peter Cash Vladimir Zaytsev 叶甫盖尼·米罗诺夫 米克哈尔·弗里蒙弗 Valery Magdyash |
| 制片国家/地区： | 俄罗斯 |
| 类型： | 纪录片 |
| 语言： | 俄语 |
| 年代： | 2012 |
| 片长： | 150分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
Tsvetaev taught art history at Moscow University and initially conceived the new museum as an educational one. So that in one hall there is Antiquity, in another - the Middle Ages, in the third – the Renaissance. I planned to place copies instead of the originals. Plaster casts were made from the original sculptures exhibited in museums of European capitals by Tsvetaev's order.... (展开全部)
Tsvetaev taught art history at Moscow University and initially conceived the new museum as an educational one. So that in one hall there is Antiquity, in another - the Middle Ages, in the third – the Renaissance. I planned to place copies instead of the originals. Plaster casts were made from the original sculptures exhibited in museums of European capitals by Tsvetaev's order. Dozens and hundreds of casts of giant statues, entire monuments, as well as columns, gates, and tombs were brought to Moscow. The plaster was tinted to look like marble, bronze, wood – so that it was exactly the same.
Tsvetaev taught art history at Moscow University and initially conceived the new museum as an educational one. So that in one hall there is Antiquity, in another - the Middle Ages, in the third – the Renaissance. I planned to place copies instead of the originals. Plaster casts were made from the original sculptures exhibited in museums of European capitals by Tsvetaev's order.... (展开全部)
Tsvetaev taught art history at Moscow University and initially conceived the new museum as an educational one. So that in one hall there is Antiquity, in another - the Middle Ages, in the third – the Renaissance. I planned to place copies instead of the originals. Plaster casts were made from the original sculptures exhibited in museums of European capitals by Tsvetaev's order. Dozens and hundreds of casts of giant statues, entire monuments, as well as columns, gates, and tombs were brought to Moscow. The plaster was tinted to look like marble, bronze, wood – so that it was exactly the same.
