Goodbye Pig
| 导演： | Anna Geyer |
| 制片国家/地区： | 美国 |
| 类型： | |
| 语言： | 英语 |
| 年代： | 2011 |
| 片长： | 6分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
A reminiscence of an unknowable past. An homage to 'pigfill' aka slug - a found footage film constructed almost entirely of decayed/abused fill. The fill, once spliced into 16mm magnetic audio tracks of another film, had been stored in a wet basement. Water damage had caused the two to stick together. I was asked to replace the fill in order to transfer the audio to a digital m... (展开全部)
A reminiscence of an unknowable past. An homage to 'pigfill' aka slug - a found footage film constructed almost entirely of decayed/abused fill. The fill, once spliced into 16mm magnetic audio tracks of another film, had been stored in a wet basement. Water damage had caused the two to stick together. I was asked to replace the fill in order to transfer the audio to a digital medium for preservation purposes. I removed and spliced the bits of discarded picture together and projected it in an effort to gain some understanding of the original footage. Later I reprinted it, via the optical printer, fascinated by the bits of picture/past left unobscured by the residual blotches of mag, and in doing so I literally watched its continued demise; its further fall into chaos. Similarly, the audio is primarily the original audio, including the noise from the magnetic track, both verbatim and manipulated.
A reminiscence of an unknowable past. An homage to 'pigfill' aka slug - a found footage film constructed almost entirely of decayed/abused fill. The fill, once spliced into 16mm magnetic audio tracks of another film, had been stored in a wet basement. Water damage had caused the two to stick together. I was asked to replace the fill in order to transfer the audio to a digital m... (展开全部)
A reminiscence of an unknowable past. An homage to 'pigfill' aka slug - a found footage film constructed almost entirely of decayed/abused fill. The fill, once spliced into 16mm magnetic audio tracks of another film, had been stored in a wet basement. Water damage had caused the two to stick together. I was asked to replace the fill in order to transfer the audio to a digital medium for preservation purposes. I removed and spliced the bits of discarded picture together and projected it in an effort to gain some understanding of the original footage. Later I reprinted it, via the optical printer, fascinated by the bits of picture/past left unobscured by the residual blotches of mag, and in doing so I literally watched its continued demise; its further fall into chaos. Similarly, the audio is primarily the original audio, including the noise from the magnetic track, both verbatim and manipulated.
