Anne
| 导演： | Adi Eshman / Desirée Abeyta |
| 制片国家/地区： | 美国 |
| 类型： | |
| 年代： | 2022 |
| 片长： | 10分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
Two actresses have made it to the final callbacks for the role of a lifetime: to play Anne Frank in an upcoming staged production. But as the topic of color-blind casting makes its way into the audition room, the controversial question emerges: who is best suited to portray Anne Frank?
ANNE is a film that aims to explore the nuances within cultural representation, in addition t... (展开全部)
Two actresses have made it to the final callbacks for the role of a lifetime: to play Anne Frank in an upcoming staged production. But as the topic of color-blind casting makes its way into the audition room, the controversial question emerges: who is best suited to portray Anne Frank?
ANNE is a film that aims to explore the nuances within cultural representation, in addition to the importance of why stories like Anne Frank’s continue to be told. Is it more important to accurately “be” something, or to accurately “represent” something? Is “authenticity” synonymous with perception? And, as storytellers, how do we define the difference between empathy and appropriation? These are the questions raised through the eyes of two women both “right” for the role.
Two actresses have made it to the final callbacks for the role of a lifetime: to play Anne Frank in an upcoming staged production. But as the topic of color-blind casting makes its way into the audition room, the controversial question emerges: who is best suited to portray Anne Frank?
ANNE is a film that aims to explore the nuances within cultural representation, in addition t... (展开全部)
Two actresses have made it to the final callbacks for the role of a lifetime: to play Anne Frank in an upcoming staged production. But as the topic of color-blind casting makes its way into the audition room, the controversial question emerges: who is best suited to portray Anne Frank?
ANNE is a film that aims to explore the nuances within cultural representation, in addition to the importance of why stories like Anne Frank’s continue to be told. Is it more important to accurately “be” something, or to accurately “represent” something? Is “authenticity” synonymous with perception? And, as storytellers, how do we define the difference between empathy and appropriation? These are the questions raised through the eyes of two women both “right” for the role.
