Periodic Vibrations in an Elastic Medium
| 导演： | Janis Crystal Lipzin |
| 制片国家/地区： | 美国 |
| 类型： | |
| 语言： | 无对白 |
| 年代： | 1976 |
| 片长： | 16分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
Discrete images were modeled into a filmic form which grew out of visual kinetic linkages rather than linguistic modes, musical notions or anecdotal concerns. The elimination of narrative sequence suggests the concept of simultaneity which is usually associated with painting and which is demonstrated by the poetry of William Carlos Williams. Pale blue passages divide the film i... (展开全部)
Discrete images were modeled into a filmic form which grew out of visual kinetic linkages rather than linguistic modes, musical notions or anecdotal concerns. The elimination of narrative sequence suggests the concept of simultaneity which is usually associated with painting and which is demonstrated by the poetry of William Carlos Williams. Pale blue passages divide the film into three sections, composed from several thousand feet of film exposed since 1973 in a variety of geographical sites. The title of the film makes reference to Newton's corpuscular theory of light.
Discrete images were modeled into a filmic form which grew out of visual kinetic linkages rather than linguistic modes, musical notions or anecdotal concerns. The elimination of narrative sequence suggests the concept of simultaneity which is usually associated with painting and which is demonstrated by the poetry of William Carlos Williams. Pale blue passages divide the film i... (展开全部)
Discrete images were modeled into a filmic form which grew out of visual kinetic linkages rather than linguistic modes, musical notions or anecdotal concerns. The elimination of narrative sequence suggests the concept of simultaneity which is usually associated with painting and which is demonstrated by the poetry of William Carlos Williams. Pale blue passages divide the film into three sections, composed from several thousand feet of film exposed since 1973 in a variety of geographical sites. The title of the film makes reference to Newton's corpuscular theory of light.
