Les ciseaux
| 导演： | Mounir Fatmi |
| 制片国家/地区： | 法国 / 摩洛哥 |
| 类型： | |
| 语言： | 法语 |
| 年代： | 2003 |
| 片长： | 12分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
In Les Ciseaux (2003), Mounir Fatmi puts on the censored love scenes in the film Une minute de soleil en moins/A Minute of Sunlight less, directed by Nabil Ayouch that same year. Mounir Fatmi thus in his turn makes a love film, but the love is for imagery. Les Ciseaux presents the entwinements between a man and a woman, and more broadly embraces:
1) between a film undone (Une m... (展开全部)
In Les Ciseaux (2003), Mounir Fatmi puts on the censored love scenes in the film Une minute de soleil en moins/A Minute of Sunlight less, directed by Nabil Ayouch that same year. Mounir Fatmi thus in his turn makes a love film, but the love is for imagery. Les Ciseaux presents the entwinements between a man and a woman, and more broadly embraces:
1) between a film undone (Une minute de soleil en moins) and a backup film (Les Ciseaux);
2) between the ideology that censored the scenes (Moroccan fundamentalism) and the discursive layer which helps them to rebound back (the text by Alfred de Musset, a popular symbol of the love discourse, since it is taught to all children in republican schools);
3) between the destroyers and creators of a film. For the concept consists in encompassing factors absent from the arrangement: "It has also become a documentary film but in conjunction with Moroccan fundamentalists and the censors, because it is they who decided on the cuts ".
Nicole Brenez
http://www.mounirfatmi.com/work-51-10.html
In Les Ciseaux (2003), Mounir Fatmi puts on the censored love scenes in the film Une minute de soleil en moins/A Minute of Sunlight less, directed by Nabil Ayouch that same year. Mounir Fatmi thus in his turn makes a love film, but the love is for imagery. Les Ciseaux presents the entwinements between a man and a woman, and more broadly embraces:
1) between a film undone (Une m... (展开全部)
In Les Ciseaux (2003), Mounir Fatmi puts on the censored love scenes in the film Une minute de soleil en moins/A Minute of Sunlight less, directed by Nabil Ayouch that same year. Mounir Fatmi thus in his turn makes a love film, but the love is for imagery. Les Ciseaux presents the entwinements between a man and a woman, and more broadly embraces:
1) between a film undone (Une minute de soleil en moins) and a backup film (Les Ciseaux);
2) between the ideology that censored the scenes (Moroccan fundamentalism) and the discursive layer which helps them to rebound back (the text by Alfred de Musset, a popular symbol of the love discourse, since it is taught to all children in republican schools);
3) between the destroyers and creators of a film. For the concept consists in encompassing factors absent from the arrangement: "It has also become a documentary film but in conjunction with Moroccan fundamentalists and the censors, because it is they who decided on the cuts ".
Nicole Brenez
http://www.mounirfatmi.com/work-51-10.html
