De Luce 1: Vegetare
| 导演： | Janis Crystal Lipzin |
| 制片国家/地区： | 美国 |
| 类型： | |
| 语言： | 无对白 |
| 年代： | 2009 |
| 片长： | 5分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
This work delves deeply into experiments similar to my parallel work in color photography. In this film, I blend my enduring interest in nature's volatile events with my sympathy with film's unpredictable response to light. I make a conscious decision to begin with film based on that medium's unduplicable and capricious reaction to photo-chemical stimuli. I use darkroom process... (展开全部)
This work delves deeply into experiments similar to my parallel work in color photography. In this film, I blend my enduring interest in nature's volatile events with my sympathy with film's unpredictable response to light. I make a conscious decision to begin with film based on that medium's unduplicable and capricious reaction to photo-chemical stimuli. I use darkroom processes to produce outcomes that allude to, but don't truly describe, color in the natural world. I then interweave the results with the more controllable properties of digital technology. By using both digital and analog tools, I am able to achieve results unattainable by either medium alone. My methods allow me to avoid many conventional industrial processes and vastly expand the boundaries of common color palettes. -- JCL
This work delves deeply into experiments similar to my parallel work in color photography. In this film, I blend my enduring interest in nature's volatile events with my sympathy with film's unpredictable response to light. I make a conscious decision to begin with film based on that medium's unduplicable and capricious reaction to photo-chemical stimuli. I use darkroom process... (展开全部)
This work delves deeply into experiments similar to my parallel work in color photography. In this film, I blend my enduring interest in nature's volatile events with my sympathy with film's unpredictable response to light. I make a conscious decision to begin with film based on that medium's unduplicable and capricious reaction to photo-chemical stimuli. I use darkroom processes to produce outcomes that allude to, but don't truly describe, color in the natural world. I then interweave the results with the more controllable properties of digital technology. By using both digital and analog tools, I am able to achieve results unattainable by either medium alone. My methods allow me to avoid many conventional industrial processes and vastly expand the boundaries of common color palettes. -- JCL
