Marko Polo
| 导演： | 埃利萨·弗克萨斯 |
| 编剧： | 埃利萨·弗克萨斯 / Elisa Casseri |
| 主演： | 雅雅·芙尔特 弗拉维奥·福尔诺 Letizia Cesarini 埃利萨·弗克萨斯 Lavinia Fuksas Elisa Casseri |
| 制片国家/地区： | 意大利 |
| 类型： | 剧情 / 喜剧 / 纪录片 |
| 年代： | 2025 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
The film does look set to be incredibly personal: when Elisa realises that the film she’s been working on for years is dead, it impacts everything in her life, including her faith. She wanted to talk about her conversion to Catholicism, but maybe she wasn’t enough of a believer? "In God or in the film?", we ask ourselves, but not even she can answer this question. When faced wi... (展开全部)
The film does look set to be incredibly personal: when Elisa realises that the film she’s been working on for years is dead, it impacts everything in her life, including her faith. She wanted to talk about her conversion to Catholicism, but maybe she wasn’t enough of a believer? "In God or in the film?", we ask ourselves, but not even she can answer this question. When faced with failure, all she’s ever been able to do is lose herself. "Because you’re tedious and you don’t know how to look after other people", the Madonna tells her the first time they speak, desacralizing her crisis and inciting her to react. As a result, Elisa, her sister, her screenwriter and the failed film’s lead actor set off on a journey on board a ship, headed for a sanctuary which they know little to nothing about. Each of them has something to resolve, a knot to untie, much like all the other pilgrims on the boat.
The film does look set to be incredibly personal: when Elisa realises that the film she’s been working on for years is dead, it impacts everything in her life, including her faith. She wanted to talk about her conversion to Catholicism, but maybe she wasn’t enough of a believer? "In God or in the film?", we ask ourselves, but not even she can answer this question. When faced wi... (展开全部)
The film does look set to be incredibly personal: when Elisa realises that the film she’s been working on for years is dead, it impacts everything in her life, including her faith. She wanted to talk about her conversion to Catholicism, but maybe she wasn’t enough of a believer? "In God or in the film?", we ask ourselves, but not even she can answer this question. When faced with failure, all she’s ever been able to do is lose herself. "Because you’re tedious and you don’t know how to look after other people", the Madonna tells her the first time they speak, desacralizing her crisis and inciting her to react. As a result, Elisa, her sister, her screenwriter and the failed film’s lead actor set off on a journey on board a ship, headed for a sanctuary which they know little to nothing about. Each of them has something to resolve, a knot to untie, much like all the other pilgrims on the boat.
