An Office Worker Thinks of Their Love and Home
| 导演： | Peter Todd |
| 制片国家/地区： | 英国 |
| 类型： | |
| 语言： | 英语 |
| 年代： | 2003 |
| 片长： | 3分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
Images of home, and city, and a written message.‘Continuing in the vein of his earlier For You, Todd here develops that work’s silent observation and meditation on the local, the environmentally familiar, within the frame of an archetypal routine and with his trademark white-pad texts signaling the pivotal sentiments of the piece. The journey revealed is deceptively simple, cha... (展开全部)
Images of home, and city, and a written message.‘Continuing in the vein of his earlier For You, Todd here develops that work’s silent observation and meditation on the local, the environmentally familiar, within the frame of an archetypal routine and with his trademark white-pad texts signaling the pivotal sentiments of the piece. The journey revealed is deceptively simple, charting the movement from the film-makers’s garden to his city centre office employment (as information officer at the BFI, its frontage seen) and then back, via the underground and a written declaration of emotional attentions, to his evening house.A description such as the one offered does nothing, however, to convey the richness of this passage as Todd presents it.
Images of home, and city, and a written message.‘Continuing in the vein of his earlier For You, Todd here develops that work’s silent observation and meditation on the local, the environmentally familiar, within the frame of an archetypal routine and with his trademark white-pad texts signaling the pivotal sentiments of the piece. The journey revealed is deceptively simple, cha... (展开全部)
Images of home, and city, and a written message.‘Continuing in the vein of his earlier For You, Todd here develops that work’s silent observation and meditation on the local, the environmentally familiar, within the frame of an archetypal routine and with his trademark white-pad texts signaling the pivotal sentiments of the piece. The journey revealed is deceptively simple, charting the movement from the film-makers’s garden to his city centre office employment (as information officer at the BFI, its frontage seen) and then back, via the underground and a written declaration of emotional attentions, to his evening house.A description such as the one offered does nothing, however, to convey the richness of this passage as Todd presents it.
