Speaking Flowers
| 导演： | Charlotte Maria Kätzl / 康拉德·法伊特 |
| 制片国家/地区： | 德国 |
| 类型： | |
| 年代： | 2021 |
| 片长： | 18分30秒 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
A film that begins like a supposed color therapy when opulent carpets of flowers blend into one another and yet gradually begin to crack when the floral world turns into artificial flowers and other decorative kitsch made of plastic rabbits and empathetic plastic deer, which impute an inner-dialogical ambivalence to us with calendar-like phrases and establish ever more obtrusiv... (展开全部)
A film that begins like a supposed color therapy when opulent carpets of flowers blend into one another and yet gradually begin to crack when the floral world turns into artificial flowers and other decorative kitsch made of plastic rabbits and empathetic plastic deer, which impute an inner-dialogical ambivalence to us with calendar-like phrases and establish ever more obtrusively how exhausted we feel after all. Meanwhile, the film grows into an absurd fairy-tale movie theatricality in which the only apparently humanoid being itself is a flower that leads us more and more through the diffuse events and yet abandons us in a void of floral profusion.
A film that begins like a supposed color therapy when opulent carpets of flowers blend into one another and yet gradually begin to crack when the floral world turns into artificial flowers and other decorative kitsch made of plastic rabbits and empathetic plastic deer, which impute an inner-dialogical ambivalence to us with calendar-like phrases and establish ever more obtrusiv... (展开全部)
A film that begins like a supposed color therapy when opulent carpets of flowers blend into one another and yet gradually begin to crack when the floral world turns into artificial flowers and other decorative kitsch made of plastic rabbits and empathetic plastic deer, which impute an inner-dialogical ambivalence to us with calendar-like phrases and establish ever more obtrusively how exhausted we feel after all. Meanwhile, the film grows into an absurd fairy-tale movie theatricality in which the only apparently humanoid being itself is a flower that leads us more and more through the diffuse events and yet abandons us in a void of floral profusion.
