Photos to Send
| 导演： | Dierdre Lynch |
| 制片国家/地区： | 美国 |
| 类型： | 纪录片 |
| 年代： | 2002 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
In 1954 celebrated photographer Dorthea Lange traveled to rural County Claire in Western Ireland on an assignment for Life Magazine. The photos she took there captured a way of life fast vanishing and a people hardened, but not broken, by poverty and grueling labor. 44 years later filmmaker Dierdre Lynch returned to Lange's subjects and found that the world of Lynch's photograp... (展开全部)
In 1954 celebrated photographer Dorthea Lange traveled to rural County Claire in Western Ireland on an assignment for Life Magazine. The photos she took there captured a way of life fast vanishing and a people hardened, but not broken, by poverty and grueling labor. 44 years later filmmaker Dierdre Lynch returned to Lange's subjects and found that the world of Lynch's photographs had changed, but that the people, more fragile now and weathered by age, still maintained their vitality and spirit. This loving and sensitive portrait of humanity, by times tragic and bittersweet, yet life affirming, took four years to edit, and the final cut is worth the effort.
In 1954 celebrated photographer Dorthea Lange traveled to rural County Claire in Western Ireland on an assignment for Life Magazine. The photos she took there captured a way of life fast vanishing and a people hardened, but not broken, by poverty and grueling labor. 44 years later filmmaker Dierdre Lynch returned to Lange's subjects and found that the world of Lynch's photograp... (展开全部)
In 1954 celebrated photographer Dorthea Lange traveled to rural County Claire in Western Ireland on an assignment for Life Magazine. The photos she took there captured a way of life fast vanishing and a people hardened, but not broken, by poverty and grueling labor. 44 years later filmmaker Dierdre Lynch returned to Lange's subjects and found that the world of Lynch's photographs had changed, but that the people, more fragile now and weathered by age, still maintained their vitality and spirit. This loving and sensitive portrait of humanity, by times tragic and bittersweet, yet life affirming, took four years to edit, and the final cut is worth the effort.
