画廊
| 导演： | 保罗·拉希德 |
| 编剧： | 保罗·拉希德 |
| 主演： | 安娜·帕波维尔 乔治·布莱顿 丽贝卡·鲁特 |
| 制片国家/地区： | 英国 |
| 类型： | 剧情 / 惊悚 |
| 语言： | 英语 |
| 年代： | 2022 |
| 片长： | 318分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
An art curator is held hostage by a portraitist who threatens to detonate a bomb unless their demands are met. 'The Gallery' contains two interactive narratives - set in 1981 (with a female protagonist) and 2021 (with a male protagonist). Both eras are significant periods of socio-political unrest in Britain and there are distinct similarities and differences across the two sto... (展开全部)
An art curator is held hostage by a portraitist who threatens to detonate a bomb unless their demands are met. 'The Gallery' contains two interactive narratives - set in 1981 (with a female protagonist) and 2021 (with a male protagonist). Both eras are significant periods of socio-political unrest in Britain and there are distinct similarities and differences across the two stories. The viewer must make decisions in a bid to better understand and escape their captor. However, it soon becomes apparent that not only the life of the protagonist hinges on these decisions, but also the lives of others.
An art curator is held hostage by a portraitist who threatens to detonate a bomb unless their demands are met. 'The Gallery' contains two interactive narratives - set in 1981 (with a female protagonist) and 2021 (with a male protagonist). Both eras are significant periods of socio-political unrest in Britain and there are distinct similarities and differences across the two sto... (展开全部)
An art curator is held hostage by a portraitist who threatens to detonate a bomb unless their demands are met. 'The Gallery' contains two interactive narratives - set in 1981 (with a female protagonist) and 2021 (with a male protagonist). Both eras are significant periods of socio-political unrest in Britain and there are distinct similarities and differences across the two stories. The viewer must make decisions in a bid to better understand and escape their captor. However, it soon becomes apparent that not only the life of the protagonist hinges on these decisions, but also the lives of others.
