文化牛仔
| 导演： | Geoff Steven |
| 主演： | 布鲁诺·劳伦斯 Tony Williams 山姆·尼尔 罗杰·唐纳森 伊恩·穆内 |
| 制片国家/地区： | 新西兰 |
| 类型： | 纪录片 |
| 语言： | 英语 |
| 年代： | 1990 |
| 片长： | 46分钟(TV Movie) |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
Cowboys of Culture is director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity. Raw they might have been, but the films (Wild Man, Sleepi... (展开全部)
Cowboys of Culture is director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity. Raw they might have been, but the films (Wild Man, Sleeping Dogs, Goodbye Pork Pie, Smash Palace) represented a vital new cultural force. The film features interviews with the major players, and clips from their movies.The thing that was maybe unique about that particular film [Pork Pie] is that it was made by an extended family, and there were kids everywhere. That was fortunate for me, because as my character went along I used to watch the kids and copy them and do all the yahoo stuff. – Kelly Johnson on Goodbye Pork Pie
Cowboys of Culture is director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity. Raw they might have been, but the films (Wild Man, Sleepi... (展开全部)
Cowboys of Culture is director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity. Raw they might have been, but the films (Wild Man, Sleeping Dogs, Goodbye Pork Pie, Smash Palace) represented a vital new cultural force. The film features interviews with the major players, and clips from their movies.The thing that was maybe unique about that particular film [Pork Pie] is that it was made by an extended family, and there were kids everywhere. That was fortunate for me, because as my character went along I used to watch the kids and copy them and do all the yahoo stuff. – Kelly Johnson on Goodbye Pork Pie
