Diaspora
| 导演： | 戴科·道森 |
| 编剧： | 戴科·道森 |
| 主演： | Yulia Guzhva |
| 制片国家/地区： | 加拿大 |
| 类型： | |
| 语言： | 乌克兰语 / 德语 / 克罗地亚语 / 粤语 / 英语 / |
| 年代： | 2022 |
| 上映： | 2022-10-08 |
| 片长： | 140分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
After an almost 10-year hiatus, the multi-award-winning Winnipeg filmmaker is back with a bold new outing: a two-hour, 20-minute film in 25 languages with few subtitles. Diaspora is an endearing, fascinating work with a remarkable premise. Taking the form of a daily chronicle, the film follows Eva, a young Ukrainian woman newly arrived in Winnipeg’s North End to build a new lif... (展开全部)
After an almost 10-year hiatus, the multi-award-winning Winnipeg filmmaker is back with a bold new outing: a two-hour, 20-minute film in 25 languages with few subtitles. Diaspora is an endearing, fascinating work with a remarkable premise. Taking the form of a daily chronicle, the film follows Eva, a young Ukrainian woman newly arrived in Winnipeg’s North End to build a new life. In this ghost town — where according to Guy Maddin, everyone walks to where they dream and is always lost — Dawson constructs a delightful theatre of the absurd where no one speaks the same language and communication is impossible.
After an almost 10-year hiatus, the multi-award-winning Winnipeg filmmaker is back with a bold new outing: a two-hour, 20-minute film in 25 languages with few subtitles. Diaspora is an endearing, fascinating work with a remarkable premise. Taking the form of a daily chronicle, the film follows Eva, a young Ukrainian woman newly arrived in Winnipeg’s North End to build a new lif... (展开全部)
After an almost 10-year hiatus, the multi-award-winning Winnipeg filmmaker is back with a bold new outing: a two-hour, 20-minute film in 25 languages with few subtitles. Diaspora is an endearing, fascinating work with a remarkable premise. Taking the form of a daily chronicle, the film follows Eva, a young Ukrainian woman newly arrived in Winnipeg’s North End to build a new life. In this ghost town — where according to Guy Maddin, everyone walks to where they dream and is always lost — Dawson constructs a delightful theatre of the absurd where no one speaks the same language and communication is impossible.
