Adh Chanani Raat
| 导演： | Gurvinder Singh |
| 编剧： | Gurdial Singh / Gurvinder Singh / Jasdeep Singh |
| 主演： | Raj Singh Jhinger Mauli Singh Jatinder Mauhar |
| 制片国家/地区： | 印度 |
| 类型： | 剧情 |
| 语言： | 旁遮普语 |
| 年代： | 2021 |
| 片长： | 108分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
After 15 years in prison, for committing a murder to save his father’s honour, Modan returns to his village in Punjab. In his absence, the village’s power structure has shifted towards a landowner, to the detriment of his family. Worse still: his brother is the landowner’s lapdog.
Based on Gurdial Singh’s eponymous Crescent Night, this is the third part in Gurvinder Singh’s tri... (展开全部)
After 15 years in prison, for committing a murder to save his father’s honour, Modan returns to his village in Punjab. In his absence, the village’s power structure has shifted towards a landowner, to the detriment of his family. Worse still: his brother is the landowner’s lapdog.
Based on Gurdial Singh’s eponymous Crescent Night, this is the third part in Gurvinder Singh’s trilogy about patriarchal, hierarchic life in rural Punjab – after Alms for the Blind Horse (IFFR 2012) and The Fourth Direction (IFFR 2016). Here, Modan tries to restart his life. He repairs the family home, cares for his elderly mother, and finds love with a widow who has a young child. Yet, the past continues to affect this new life, and violence seems like the only a solution.
After 15 years in prison, for committing a murder to save his father’s honour, Modan returns to his village in Punjab. In his absence, the village’s power structure has shifted towards a landowner, to the detriment of his family. Worse still: his brother is the landowner’s lapdog.
Based on Gurdial Singh’s eponymous Crescent Night, this is the third part in Gurvinder Singh’s tri... (展开全部)
After 15 years in prison, for committing a murder to save his father’s honour, Modan returns to his village in Punjab. In his absence, the village’s power structure has shifted towards a landowner, to the detriment of his family. Worse still: his brother is the landowner’s lapdog.
Based on Gurdial Singh’s eponymous Crescent Night, this is the third part in Gurvinder Singh’s trilogy about patriarchal, hierarchic life in rural Punjab – after Alms for the Blind Horse (IFFR 2012) and The Fourth Direction (IFFR 2016). Here, Modan tries to restart his life. He repairs the family home, cares for his elderly mother, and finds love with a widow who has a young child. Yet, the past continues to affect this new life, and violence seems like the only a solution.
