Sem Pyanits
| 导演： | Sergey Kuznetsov |
| 编剧： | Sergey Kuznetsov |
| 制片国家/地区： | 俄罗斯 / 爱沙尼亚 |
| 类型： | 喜剧 / 西部 |
| 年代： | 2019 |
| 片长： | 82分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
An unspecified future. The consumer society era is over. There are no cars, there are no horses. Bicycles are the most popular mode of transport. The seven heroes must cross the Enchanted Valley to find the Divine Bar. Awaiting them there is happiness, wealth, glory and the love of beautiful women. The guys are unaware of one thing: to be in the Divine Bar, you have to depart t... (展开全部)
An unspecified future. The consumer society era is over. There are no cars, there are no horses. Bicycles are the most popular mode of transport. The seven heroes must cross the Enchanted Valley to find the Divine Bar. Awaiting them there is happiness, wealth, glory and the love of beautiful women. The guys are unaware of one thing: to be in the Divine Bar, you have to depart this life… Sergey Kuznetsov: “We turned the western – a patriarchal, conservative genre – inside out. It is convenient because for our consciousness it is an allegorical and alien genre. That allows us to talk about what is bothering us, without being afraid of getting bogged down in the domestic. And what is bothering us is the lack of rebellion against the generation of our fathers”.
An unspecified future. The consumer society era is over. There are no cars, there are no horses. Bicycles are the most popular mode of transport. The seven heroes must cross the Enchanted Valley to find the Divine Bar. Awaiting them there is happiness, wealth, glory and the love of beautiful women. The guys are unaware of one thing: to be in the Divine Bar, you have to depart t... (展开全部)
An unspecified future. The consumer society era is over. There are no cars, there are no horses. Bicycles are the most popular mode of transport. The seven heroes must cross the Enchanted Valley to find the Divine Bar. Awaiting them there is happiness, wealth, glory and the love of beautiful women. The guys are unaware of one thing: to be in the Divine Bar, you have to depart this life… Sergey Kuznetsov: “We turned the western – a patriarchal, conservative genre – inside out. It is convenient because for our consciousness it is an allegorical and alien genre. That allows us to talk about what is bothering us, without being afraid of getting bogged down in the domestic. And what is bothering us is the lack of rebellion against the generation of our fathers”.
