风吹过坟墓
| 导演： | 特拉维斯·威尔克森 |
| 主演： | 特拉维斯·威尔克森 Ivan Peric Matilda Jane Wilkerson Dalton Wilkerson |
| 制片国家/地区： | 美国 |
| 类型： | 剧情 / 科幻 |
| 语言： | 英语 / 克罗地亚语 |
| 年代： | 2024 |
| 片长： | 80分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
If there is anyone who embodies the current state of life in Croatia, it is the police detective Ivan Peric. The son of a fisherman, he became a detective as a way of avoiding working in the only really prospering industry of present-day Croatia – tourism. Now his life is consumed by trying to solve a series of essentially unsolvable murders of tourists. Because the tourists ar... (展开全部)
If there is anyone who embodies the current state of life in Croatia, it is the police detective Ivan Peric. The son of a fisherman, he became a detective as a way of avoiding working in the only really prospering industry of present-day Croatia – tourism. Now his life is consumed by trying to solve a series of essentially unsolvable murders of tourists. Because the tourists are so widely despised, no one will help Ivan. Evidence disappears into the labyrinth of bureaucracy. He is humiliated in public and online. In the local press, his boss even labels him an “uhljeb”, the Croatian slur for a “lazy bureaucratic parasite”. All of this takes place in the city of Split, where the breakup of Yugoslavia has left its mark.
If there is anyone who embodies the current state of life in Croatia, it is the police detective Ivan Peric. The son of a fisherman, he became a detective as a way of avoiding working in the only really prospering industry of present-day Croatia – tourism. Now his life is consumed by trying to solve a series of essentially unsolvable murders of tourists. Because the tourists ar... (展开全部)
If there is anyone who embodies the current state of life in Croatia, it is the police detective Ivan Peric. The son of a fisherman, he became a detective as a way of avoiding working in the only really prospering industry of present-day Croatia – tourism. Now his life is consumed by trying to solve a series of essentially unsolvable murders of tourists. Because the tourists are so widely despised, no one will help Ivan. Evidence disappears into the labyrinth of bureaucracy. He is humiliated in public and online. In the local press, his boss even labels him an “uhljeb”, the Croatian slur for a “lazy bureaucratic parasite”. All of this takes place in the city of Split, where the breakup of Yugoslavia has left its mark.
