Epäonnistunut tyhjyys
| 导演： | Mika Taanila |
| 编剧： | Harry Salmenniemi |
| 主演： | Ariane Tretow |
| 制片国家/地区： | 芬兰 |
| 类型： | 纪录片 |
| 语言： | 无对白 |
| 年代： | 2024 |
| 片长： | 70分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
Nobody goes into a film called Failed Emptiness expecting an uplifting message of hope. Finnish multimedia artist Mika Taanila expunges all optimistic sentiment from this moody procession of images, music and on-screen text. There is the thinnest filigree of narrative – rituals of domestic life, an individual seeking and losing their identity in the crowd – but the plot deliber... (展开全部)
Nobody goes into a film called Failed Emptiness expecting an uplifting message of hope. Finnish multimedia artist Mika Taanila expunges all optimistic sentiment from this moody procession of images, music and on-screen text. There is the thinnest filigree of narrative – rituals of domestic life, an individual seeking and losing their identity in the crowd – but the plot deliberately breaks down into a series of abstract impressions. An apocalyptic ambience is transmitted to the viewer. The text, by poet Harry Salmenniemi, appears as conventional intertitles for a while but then takes on a purely graphic form, its accumulated meanings scattered to the chill wind.
Nobody goes into a film called Failed Emptiness expecting an uplifting message of hope. Finnish multimedia artist Mika Taanila expunges all optimistic sentiment from this moody procession of images, music and on-screen text. There is the thinnest filigree of narrative – rituals of domestic life, an individual seeking and losing their identity in the crowd – but the plot deliber... (展开全部)
Nobody goes into a film called Failed Emptiness expecting an uplifting message of hope. Finnish multimedia artist Mika Taanila expunges all optimistic sentiment from this moody procession of images, music and on-screen text. There is the thinnest filigree of narrative – rituals of domestic life, an individual seeking and losing their identity in the crowd – but the plot deliberately breaks down into a series of abstract impressions. An apocalyptic ambience is transmitted to the viewer. The text, by poet Harry Salmenniemi, appears as conventional intertitles for a while but then takes on a purely graphic form, its accumulated meanings scattered to the chill wind.
