晚
| 导演： | 穆罕默德·马拉斯 |
| 编剧： | 穆罕默德·马拉斯 / Usama Muhammad |
| 主演： | Nizar Abou Ajar Fares Al-Helou Hazar Awad Ghassan Azeb Faouzi Bchara Hayat Chafik |
| 制片国家/地区： | 叙利亚 |
| 类型： | 剧情 / 历史 / 战争 |
| 语言： | 阿拉伯语 |
| 年代： | 1992 |
| 片长： | 116分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
The Night is set in the village of Quneytra, which borders on the Golan, a key battlefield in the 1967 war between Syria and Israel. We are led to the grave of the filmmakers’ father, an old Syrian fighter who joined the volunteer armies in Palestine in the Great Revolt of 1936. Trying to exorcise feelings of shame and humiliation that have long accompanied the image of his fat... (展开全部)
The Night is set in the village of Quneytra, which borders on the Golan, a key battlefield in the 1967 war between Syria and Israel. We are led to the grave of the filmmakers’ father, an old Syrian fighter who joined the volunteer armies in Palestine in the Great Revolt of 1936. Trying to exorcise feelings of shame and humiliation that have long accompanied the image of his father and the village occupied by Israelis during the war of 1967, Malas tries to restore his father’s history and give him a more honorable death. But tracing the outline of a memory tortured by burning questions finds only bitter answers. The film is Malas’ second feature, often perceived as the ‘prequel’ to his first, equally visually stunning, Dreams of the City.
The Night is set in the village of Quneytra, which borders on the Golan, a key battlefield in the 1967 war between Syria and Israel. We are led to the grave of the filmmakers’ father, an old Syrian fighter who joined the volunteer armies in Palestine in the Great Revolt of 1936. Trying to exorcise feelings of shame and humiliation that have long accompanied the image of his fat... (展开全部)
The Night is set in the village of Quneytra, which borders on the Golan, a key battlefield in the 1967 war between Syria and Israel. We are led to the grave of the filmmakers’ father, an old Syrian fighter who joined the volunteer armies in Palestine in the Great Revolt of 1936. Trying to exorcise feelings of shame and humiliation that have long accompanied the image of his father and the village occupied by Israelis during the war of 1967, Malas tries to restore his father’s history and give him a more honorable death. But tracing the outline of a memory tortured by burning questions finds only bitter answers. The film is Malas’ second feature, often perceived as the ‘prequel’ to his first, equally visually stunning, Dreams of the City.
